Musician, Actor and reality Television personality Feli leads the 6 Episode Series POME Produced by Blango Productions with a stellar performance. This series also features other very notable acts such as Miguel Nunez jr (The family business & Life with Eddie Murphy and Martin Lawrence)
This is Feli's Second Series to date and Follows after his national debut on A&E's "60 Days in" season 8.
Feli, also known as " Feli Fame" has constantly and consistently maintained the "Most Popular" category for every movie and Tv show release that he has been a part of or affiliated with.
The series can be found on Tubi as well as Roku Tv. Here is the link for those who wish to watch the series. The fans are definitely anticipating a season 2.
Feli also hints at releasing a new album and MNDS mixtape that will feature himself and various other artists including his Music Notes and Dollar signs collaborator J Boogz.
Los Angeles- based hip hop artist ADRIAN JUNIOR keeps adding heat to his catalog with his latest single "All In." Known for blending confident lyricism with passionate delivery, ADRIAN continues to carve his lane since his latest releases like "Ball Up Top" and "Make A Toast"- the latter featuring Kyle Banks and earning praise for its energetic, celebratory vibe.
"All In" feels like the next natural step in his evolution - a track that radiates commitment and intensity. As the title suggests, the record's theme centers on going fully committed- whether that means chasing dreams, grinding in the studio, or living without holding back. The production leans into a bold, rhythm-driven beat that gives ADRIAN space to showcase his flow and cadence, while the hook sticks in your head long after the track ends.
What makes "All In" stand out isn't just its title or hook- it's how ADRIAN delivers it with real-life energy. Listeners can feel the urgency in his voice, as if each bar is a declaration: I'm here, and I'm all in.
"All in" is a statement piece- a reminder that growth, confidence, and authenticity are still at the heart of great music. Follow Adrian @theadrianjunior and like and subscribe on Youtube.
Big Dese & Mike Martinez are back with their 11th project in just under three years - 'Tommy DeSimone'. Following the success of lead single, "Flea Collars" (feat. The Bad Seed), the duo is proud to present the video for their latest single "Aaron Hernandez."
An upbeat bar-fest, the track is filled with the humorous and witty lyrics Dese is acclaimed for while the production is just the right blend of groovy and dusty melodics, an equally signature style attributed to Martinez. The video shot by Chow Films compliments the vibe well, showing a stroll through the town while delivering heavyweight bars. The single is found on the duo's new album 'Tommy DeSimone' available now on all platforms!
Hip hop force HoodTrophy Bino is blurring the lines between viral internet moments and cinematic art with his new music video for “The Real.” The video, produced by Ordinary Visions, features a shocking full-circle moment: the fan who went viral for sucking Bino’s toes during a live performance has been officially cast as the lead in the music video where the act is recreated in high-definition.
What started as a “wild” snippet circulating on social media has now become a central theme in Bino’s brand of authenticity. “The Real” is a commitment to capturing the unfiltered, often chaotic energy of his rise in the industry. “People thought the show clip was crazy, so I had to bring that same energy to the official video,” says Bino. “We don’t do actors; we do what’s real.”
The video features Bino’s signature grit, luxury aesthetics, and the now-infamous fan interaction that has the internet divided. Is this the craziest thing a fan has done to become part of the story?
“The Real” is a raw, emotionally heavy street-rap track built on haunting piano loops and thunderous 808s. A hard-earned perspective of razor-thin tension between survival and success translates into one quotable hook: “The real don’t play with your life, it ain’t no coming back.” Over a moody mid-tempo trap backdrop, Bino moves between talk of warrants, snitches, and mortality, “we all gotta die… but mine gotta wait.”
This marks the second single from Hoodtrophy Bino’s upcoming full-length project Made A Way, which will feature collaborations with Lefty Gunplay, NoCap, Quando Rondo, Kai Bandz, Big Sad 1900, and more. Most recently, Bino was cast on this season of Deja Vu on Now That’s TV, appearing alongside cultural heavyweights Gucci Mane, Diamond The Body, Cuban Da Savage, and Mel. He is set to perform at this year’s Rolling Loud in Orlando on May 8 and is currently collaborating with Hit-Boy on a new album.
Breakout singles “I Want Her” featuring Kalan.FrFr and “Falling For You” further solidified his national presence, earning airplay across SiriusXM The Heat, Power 106, Power 105.1, and 96.1 The Beat, among others.
From gang life to global stages, Hoodtrophy Bino’s journey is one of transformation. After meeting Soulja Boy while incarcerated and later joining S.O.D.M.G., he turned adversity into ambition — touring nationwide and sharing his story through the acclaimed documentary Breaking the Generational Curse. His recent performances include touring with Soulja Boy, appearing alongside him at Rolling Loud Los Angeles, opening for Trippie Redd at the Toyota Arena, and for Chris Brown in Las Vegas. Bino has also been featured on major platforms including The Breakfast Club, On The Radar, HotNewHipHop, Lyrical Lemonade, and No Jumper.
In celebration of what would have been his 99th birthday, the independent feature "The Daughters of Dolemite" will debut with a special advance preview screening March 17 and 18 at LOOK Dine-In Cinemas Glendale. The occasion marks the official relaunch of the legendary Dolemite franchise, spearheaded by producer-director and decorated Vietnam-era veteran Foster Corder.
Los Angeles, CA – Nearly a century after his birth, the legacy of comedy icon Rudy Ray Moore returns to the big screen in bold fashion. In celebration of what would have been his 99th birthday, the independent feature The Daughters of Dolemite will debut with a special advance preview screening March 17 and 18 at LOOK Dine-In Cinemas Glendale. The occasion marks the official relaunch of the legendary Dolemite Films franchise. Spearheaded by producer-director and decorated Vietnam-era veteran Foster Corder, the new movie serves as both a cinematic revival and cultural reckoning, honoring Moore’s trailblazing career as a comedian, recording artist, and blaxploitation-era film pioneer.
From his early days in Los Angeles, where the Dolemite persona first took shape inside the historic Dolphin’s of Hollywood record store, to the grassroots “four-walling” strategy he later employed with Corder to bring his films directly to audiences nationwide, Moore’s legend was built on relentless hustle and self-determination. Eighteen years in the making, Corder’s latest installment fulfills a promise to preserve Moore’s name and imprint, an impact that reshaped Black independent cinema and continues to resonate generations later.
At the heart of The Daughters of Dolemite is a story that blends comedy with consequence, exploring what happens when three young multi-racial women, Latina, Asian, and African American, discover they share a father, Dolemite, and must navigate both the humor and heartache of that revelation. The film reactivates the Dolemite universe while grounding it in themes of identity, bonding, and unexpected sisterhood.
Anchoring the ensemble are urban screen favorites including Hawthorne James (memorable as the bus driver in Speed and “Big Red” in The Five Heartbeats), Kathleen Bradley (Miss Parker in Friday), veteran comedians Michael Colyar, Joey Medina, and comedienne Torrie Hart. Gary Anthony Sturgis steps into the iconic role of Dolemite.
Pictured on the Daughters of Dolemite set from left to right: veteran actor Hawthorne James, veteran actress Kathleen Bradley, writer/producer/director Foster Corder, and actor, Gary Anthony Sturgis in the role of Dolemite.
The franchise’s return builds upon the foundation laid by Moore’s cult classics including Dolemite (1975), The Human Tornado (1976), and Petey Wheatstraw (1977), films that transformed street credibility into box-office dollars and cemented Dolemite as a defining force in Black filmmaking. With The Daughters of Dolemite, the legacy expands once more, reaffirming Dolemite’s singular place in film history while introducing its bold spirit to a new generation.
As writer-director of The Daughters of Dolemite, Foster Corder, who holds more than 150 film credits, brings both history and stewardship to the project. A longtime collaborator and manager of Moore, Corder worked alongside him on four films and was entrusted with the Dolemite character rights in 1990, a gesture reflecting Moore’s confidence in his commitment to protecting and extending the brand.
Beyond his creative partnership with Moore, earlier in his career, Corder co-founded Blackbird Films. The agency was recognized as the first African American commercial production company in the United States, serving marquee clients including McDonald’s and the California Lottery while collaborating with visionary talents such as Gordon Parks, Kevin Hooks, Forest Whitaker, and Bill Duke. As the first African American Director of Film and Video at a major record label during his tenure at Capitol Records, Corder helped open doors for a new generation of directors, offering early music video opportunities to Antoine Fuqua, F. Gary Gray, and Michael Bay while influencing the trajectory of modern urban cinema.
Today, Corder remains actively engaged in the evolving independent film landscape, most recently collaborating with Marques Houston, Chris Stokes, and Juanita Stokes, the key creative forces behind a slate of successful Tubi Original films. His current work reinforces his continued influence within the modern digital and streaming era.
“Rudy understood something long before the industry caught up. He knew that ownership is power,” states Corder. “When the gatekeepers wouldn’t open the door, he booked his own theaters, sold his own tickets, and brought the audience directly to him. Dolemite wasn’t just comedy, it was cultural strategy. Rudy preserved the oral poetry of Black America, predated rapping with his nightclub rhythms, and helped shape what would later become hip-hop. He proved that imagination outweighs budget every time. I’m proud to present The Daughters of Dolemite as a continuation of Rudy’s self-determination and resilience.”
Building on the franchise’s historic foundation, the production team is actively exploring partnership opportunities with major studios and streaming platforms.
For the March 17 screening, cast and press activities begin at 6:00 PM, followed by a 7:00 PM special event presentation, with public screenings listed at 7:30 PM. A limited number of special event tickets are available for the 7:00 PM engagement.
Some artists make music. Thurgo builds leverage. His new single “HMMG” doesn’t chase trends or algorithms , it’s a statement. Born out of Detroit grind and sharpened by years inside the media and business world, “HMMG” is a pressure record. Heavy drums. Direct bars. Zero fluff. The kind of track that sounds like ownership, not hope. This isn’t inspiration rap. It’s execution. The title nods to the foundation behind Thurgo’s mindset. Family business roots, real-world experience, and years of learning how money, marketing, and power actually move. That edge shows in every line. He’s not talking about “making it.” He’s talking like someone who already did. “HMMG isn’t motivation. It’s discipline. It’s how I move every day. No handouts. No waiting. We build our own table.” – Thurgo While most independent artists rely on luck, Thurgo plays offense pairing music with strategy, visuals, and brand moves that hit like a rollout, not a hobby. The result is a sound that feels calculated, confident, and built to last. No gimmicks. No cosplay. Just Detroit work ethic and pressure.
In a move that’s already got fans buzzing, King Chad has announced the release of his newest studio album, Time Never Falters, hitting streaming platforms on Valentine’s Day 2026. The title itself — a meditation on the unstoppable march of time — sets the tone for a deeply personal and spiritually reflective collection of music that bridges Hip-Hop, R&B, soul, and classic sampling influences.
“Time doesn’t stop for any of us, so we must spend our time wisely — and with the people who truly love us,” King Chad shared in a recent interview with iHeartRadio, capturing the inspiration behind this expansive new body of work.
King Chad has built a reputation for prolific output and deep artistic engagement. After kicking off 2026 with the pop-leaning project 1981 Peace Over Drama in January, he’s already on track to deepen that legacy with Time Never Falters. Fans — who have come to expect steady, thoughtful releases year-round — are once again being spoiled with another full-length offering that promises both heart and hustle.
What sets this album apart is King Chad’s fearless blend of emotional vulnerability with sound-scape innovation. On tracks like “Modern Women,” “I Like,” and “If You Only Knew Love,” Chad lets listeners directly into the heart of his experiences, love stories, and life lessons — anchored by his signature
One of the standout aspects of Time Never Falters is its reverent use of samples from genre icons. The album nods respectfully to 90s R&B with interpolations from artists like Kut Klose and Monica, weaving nostalgia into fresh narratives. On “Knowledge,” King Chad channels the spirit of classic Hip-Hop by sampling Q-Tip of A Tribe Called Quest, affirming his commitment to the culture and lineage of the genre.
It’s this melding of eras that sets the album apart: Prince-like soul, smooth R&B emotion, and boom-bap authenticity, all threaded together through modern production.
In an age where many artists outsource technical duties, King Chad stands apart by having mixed, mastered, and engineered the entire album himself. This level of control reflects not only his creative autonomy but also his respect for the craft — an artist pouring every bit of love and vision into the project from start to finish.
Despite critical praise and a cult-like following, some are surprised the Florida artist hasn’t yet cracked the Billboard Top 100 or the Hip-Hop charts with his releases. But for those in the know, that’s part of King Chad’s mystique: a rare artist whose art lives beyond commercial definitions, driven by devotion to expression and community rather than headline statistics.
With Time Never Falters, King Chad isn’t just dropping another Valentine’s Day album — he’s issuing a love letter to his fans, to his own journey, and to Hip-Hop itself. It’s an invitation to reflect, connect, and groove through life’s moments — both tender and triumphant.
If Cash Money Records owned ‘99 and 2000,Dom Jones is calling dibs for 2026withher new single, “The Blacker Berry.” Continuing the introduction of colors to represent each song from her forthcoming EP, 2.0, this song brings us deeply into a blue colored roomfor a judgement free party felt by all of the senses. The bounce, the swagger, and the confidence of main character energy is ever present in a celebration where the dancefloor stays fulland the vibrancy stays high. With a glimpse into her rap skills as well, “The Blacker Berry” invites the listener to dance like nobody’s watching, and smile because everyone is. With production by longtime collaborator and producer Kasey Phillips of Precision Productions, groove is all confidence: thick 808s, hi-hats sitting perfectly in the pocket, no wasted motion. Dom’s voice snaps into the rhythm, transforming the track into a full-body statement.
After an extraordinary year of collaboration withproducer Kasey Phillips, during which the pair created more than 100 songs together, Jones continues to build momentum as anaward-winning Berklee alumna, whose music has landed on Netflix, Huluand more. Phillips brings standout credits including Ciara and Chris Brown’s hit song “How We Roll” and BLXCKIE’s See You Soon EP.
Dom Jones, from Oakland, California is an LA-based multi-hyphenate artist and songwriter. An alumna of Berklee College of Music, Dom is an International Songwriting Competition Winner, a Songs for Social Change Competition Winner, a Boston Arts and Music Soul Festival featured performer, and a Hear Her Song composer in partnership with The Canales Project and Mercy Beyond Borders. She was awarded the ASCAP Foundation Jay Gorney Award for emerging songwriters with music addressing social issues. Her work has been featured by The National Museum of Art, brands such as Nissan, and on platforms such as Netflix and Hulu. Dom’s mission is to ascend as an artist and music executive in tandem, helping to create the ecosystem for artists that she wants to see for herself.
Son of Trinidad and to legendary Caribbean producer, Kenny Phillips, Kasey Phillips spent his formative years in the studio, developing his craft early, producing his first track at just ten years old.
Kasey quickly built a name for himself in his home country of Trinidad, becoming an integral part of the music community there, before landing an internship in Los Angeles, California that would expand his musical reach and ultimate vision. In Los Angeles, the possibilities for realizing his passion to bring soca and Caribbean music to the world were clarified, and he was able to return home to launch and build his company, Precision Productions, into the most sought after production company in the nation. As the most prominent music producer in Trinidad, Phillips set his sights on penetrating the U.S. market, and it wouldn’t be long before his work as a producer on Ciara and Chris Brown’s latest single “How We Roll” was sailing up the charts and reaching virality on social platforms. His portfolio includes work with diamond-selling artist Shaggy, R&B sensation Carl Thomas, Australian star vocalist Jessica Mauboy, alongside those who rule the Caribbean music charts, including Machel Montano, Bunji Garlin, Kevin Lyttle, Rupee, and Kes the Band. Most recently, Kasey worked on BLXCKIE’s debut EP, See You Soon, for Def Jam Records, handling all mixing, mastering, and Atmos elements of the project.
His unparalleled work ethic, impactful portfolio of work, and infinite potential for further excellence led to his signing with Sony Music Publishing, the world’s number one music publisher. Honored across the music industry for his talent, Phillips has received the Soul Train Music Award for Best International Performance, the EY Entrepreneur of the Year Award, and serves his music community at large as the Chairman of the Grammy Screening Committee for Global Music.Kasey is currently based in Los Angeles where he continues to lead Precision Productions into a bright future of global dominance.
Since the album’s release, the Atlanta rapper has kept his foot on the gas, delivering visuals that reflect urgency, discipline, and nonstop motion.
“PNoid” feat. Bally Baby (prod. CashOut Beatz) centers on execution and awareness — running plays, opening new spots, and staying focused while everything moves fast. Shot by 1Way Films, the video mirrors the record’s pace and pressure, emphasizing movement over talk. “Math Class” (prod. CashOut Beatz) sharpens that focus even further. Framed around numbers and precision, the track compares daily hustle to problem-solving, highlighting discipline and calculation. Shot by Gawds Vision, the video brings a different visual energy to the Pack Power universe, showcasing Grip locked in and deliberate. Following earlier releases like “Black Truck” and “Slanger,” these visuals reinforce Big Grip’s consistency and momentum as he positions himself for a major 2026.
New Jersey native Jay Watts officially reenters the conversation with new single “TOO MUCH,” a striking new release that blends new-age soul, melodic rap, and emotional clarity into a sound that feels both modern and timeless.
After breaking through with his hit “Single Friends,” and many others Jay Watts stepped back into the lab to evolve his sound & create what he’s giving us now. Known for his genre-bending approach and undeniable ear for melody, Watts has quietly sharpened his artistry, allowing his music to mature alongside his perspective. “TOO MUCH” captures that growth in full form.
Built on a rich, soulful foundation, the track pairs introspective lyricism with a smooth, contemporary rap delivery, creating a vibe that’s immersive, emotional, and undeniably current. It’s the sound of an artist comfortable in his lane, unafraid to lean into feeling while maintaining mainstream appeal.
Jay Watts’ catalog has long showcased versatility—from the melodic pull of “My Dreams” to the crossover success of “Watch Me Walk,” which gained national exposure through the Power Rangers soundtrack and MLB’s The Show. That same instinct for crafting records that connect across audiences is fully present on “TOO MUCH,” but with a sharper focus and renewed sense of purpose.
Now armed with experience, clarity, and a refined sonic identity, Jay Watts is positioned for his strongest chapter yet. “TOO MUCH” isn’t just a return—it’s a statement. As listeners rediscover his voice through this new-age soulful rap sound, Jay Watts is proving that his next run isn’t about nostalgia—it’s about impact!
Powerhouse rapper/producer duo Big Dese x Mike Martinez are back with their eleventh project, 'Tommy DeSimone' - a sequel to their debut project, 'Tommy DeVito' from 2023.
On the lead single, "Flea Collars," they enlist the help of Brooklyn heavyweight spitter and decorated hip-hop veteran, The Bad Seed. Over a dark, menacing beat by Mike Martinez, Big Dese & Seed trade equally sinister verses. The wordplay is on full display and any fan of lyrical hip-hop is gonna be running this back several times. The single is out now on all platforms and the album 'Tommy DeSimone' will hit all streaming services on February 20th!
